Remember your Thong Collection

thong

Who was in their late teens, earlier twenties at the turn of the Millennium?

Remember your thong collection!

The underwear which stamped our generation of alpha females. We lead the way for third wave feminism with our underwear which really did show off our bums.

The first wave of feminism lead by Emmeline Pankhurst got us the vote, The sixties offered us effective contraception through the much love ‘Pill’. Abortion rights were introduced and free love became the spirit of the decade.

The seventies were characterised by second-wave feminism, with this came divorce and couples which no longer wanted to be together separated. Women were now able to gain their freedom back from unhappy marriages and able to move on and find new partners.

HIV and Aids topped the headlines throughout the eighties, we became more aware and safe sex was the name of the game.

What came next: the nighties and the turn of the Millennium which brought in third wave feminism and the rise of raunch culture. We were the ladettes, the females which knew how to make decisions about what they wanted. We didn’t want marriage, we didn’t want engagement, we didn’t want serious relationships. We were the generation of young women who turned around and said:

‘We want casual Sex!’

We were the girls how wanted to go on top in the bedroom and we lead with our thongs.

It was a consumer trend gone mad. They were all that were on sale in the younger fashion shops: Top shop, Miss Selfridge and River Island. The supermarkets got in on the act and George at Asda were doing 3 for a £5. Even the Great traditional British institution: Marks and Spenser had them on sale. Share houses, rented flats and clothes dryers across the country paraded collections of triangular, string combination thongs.

But do you remember how uncomfortable they were?

When they used to rise up and function like a cheese wire trying to cut through the central valley or your bottom. Rising up higher than the waistband of your low slung jeans and make an appearance to those all around you. The tin string marks you used to get from the lack of support offered by the flimsy creations.

So we lead with our bum checks on display, but now we’ve all settled down we get to wear much more comfortable underwear, briefs and little shorts now adorning our lower regions.

We are comfortable!

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Sylvia Pankhurst

 

Mural pres

The mural commission was proposed by Alison Little for the Trafford House in Manchester.

Commission proposal

Sylvia Pankhurst

The mural design incorporates elements of Sylvia’s work and beliefs which represent a life which was truly courageous. Towards the lower section, we have the icon slogan ‘VOTES FOR WOMEN’ and the colour bands of green and purple which were used throughout the Sufferage Movement. Sylvia’s mother, Emmeline Pankhurst was the leader of the Movement and her daughters followed in her footsteps. The top logo is an adaption of the ‘Angel of Freedom’ motif designed by Sylvia for the Women’s Social and Political Union (WSPU). Central to the design is the grid, an adaption of the Holloway Brooch, symbolising how she was imprisoned more times than any of the women involved with the reform work. The dove image reflects her views towards pacifist, the traditional symbol of peace. Her philanthropic work is shown through the milk bottles and the distribution centre she set up in London’s East End. Sexual freedom is presented through the red ring, symbolising how she never married. The final image is of an Ethiopian women carrying a child on her back, the last years of Sylvia’s life were spent in the country, again helping the needy. 

‘VOTES FOR WOMEN’ is the most iconic slogan of the Suffrage movements fight for equality. The initial slogan was in fact:

‘Will the Liberal Party give votes for women.’

However, the initial banner produced with this phrase was too cumbersome to carry on protest marches so it was reduced into a shorter format. The colour bands of green and purple present around the slogan and to the upper section reflect the colours used by the WSPU. Their colours were purple, white and green, purple as regal colour showing the Royal blood which ran through the veins of every Suffragette, purity is indicated by the white and green be present as an emblem of hope and the symbol of spring. Sylvia’s mother, Emmeline Pankhurst was the leader of the WSPU and the radical campaigner iconic for women winning the vote in Britain. All three of her daughter were strongly involved in the movement and continued to work toward equality after the passing of their mother. They were lifelong campaigners and a truly remarkable family.

The top logo is a simplified adaption of the ‘Angel of Freedom’ designed by Sylvia in 1911 to promote a demonstration to be held at the Royal Albert Hall. Sylvia was initially at Manchester School of Art, located not far from the intended location of the mural, then she travelled down to London the attend the Royal College of Art. Much of her early works reflect her philanthropical interests through the painting of working-class women. As an artist, she was presented with numerous awards, however, inevitably her visual arts work was overshadowed by her Political career and her writings on these subjects. The logo has been minimalised due to the height it is intended to be between 30-35 meters at the top of the mural and the detail will not be seen from ground level. The slight misprint where the purple ring is to one side as opposed to central is to be replicated, this reflects the printing processes of the period where this was commonplace. 

The central grid of the mural is a depiction of the Holloway Brooch designed by Sylvia. As a campaigner, Sylvia was imprisoned more times than any of her contemporaries enduring the process of being force-fed. By 1906 she was working full time for the WSPU resulting in months spent in Holloway Prison taking a leading role in the Hunger Strikes. The Holloway Brooch was originally cast in silver, the gates depicted where to represent the Houses of Parliament. It was awarded to WSPU party member who had served sentences in prison and often described as the;
‘Victoria Cross of the Union.’
Be awarded the brooch rewarded to the courage of the women who often spent long sentences in prison, and commonly the women’s prison: Holloway.

The four squares of the gates show images of Sylvia’s beliefs and life’s work. The top image is that of a dove, taken again from a brooch designed by Sylvia to promote peace. She was a dedicated pacifist and from 1910 was continually concerned with the growing levels of militancy used by members of the WSPU and argued with her mother in regards to the mater. This resulted in her braking from the party in 1913 after an arson campaign where the intention was to set fire to the houses of several high profile Politicians. Notably one of these was the Stately home of Lloyd George the current Chancellor of the Exchequer. She was opposed to the break out of the war in 1914 and horrified by her mother and sisters support for the war effort. Speaking at the International Congress of peace held at the Hague in 1915, from this she helped form the Women’s Peace Party. In the years after the First World War, she became a committed anti-fascist: supporting the Republicans in Spain, helped Jews evade Nazi occupation and campaigned against the Italian presence in Ethiopia. 

The representation of milk bottles reflects the philanthropic work in which Sylvia threw herself, a notable project being the milk distribution centre for babies who could not digest food in the East End of London. She continually campaigned for better maternity services and for rights for one parent families. During World War One she helped to set up low-cost restaurants in poorer parts of London. To provide jobs for women who had become unemployed by the war she open a toy factory, this also helped to fill the gap for playthings from Germany. More time was committed to campaigns to help poverty-stricken wives of Soldiers at war. The second initiative with milk played an important part in her work in Ethiopia. UNICEF had been giving milk tokens to mothers but these were simply being sold at the market as they were unsure of how to make the milk from formula. Sylvia made arrangements for making the dried milk with UNICEF, the children queue up as a result of efforts. Continuing into the modern day, the Pankhurst and Manchester Women’s Aid centre in Manchester continues this work today with groups of women suffering from domestic abuse. 

The image of a red ring, almost scraped on in terms of texture, a ring which does not meet at its ends. This represents the sexual freedom which Sylvia experience in an era where this was socially unacceptable. When studying at the Royal College of Art in London she began an affair with Keir Hardie, a leading Politician for the newly established Labour Party. Although his relationship with his wife looked to have disintegrated the bond he formed with Sylvia still in her twenties would have been considered scandalous. Their relationship continued into the First World, after a series of stokes he died after contracting Pneumonia in 1915. Sylvia was then to meet an exiled communist, Silvio Corio, they became lifelong partners and moved to village-come-suburb of Woodford Green together. Sylvia gave birth to a son at the age of forty-five, her mother tried to persuade her to marry Silvio but she wanted to keep her birth name. They argued over the matter and never spoke again. Other motives may have been that during that period women lost their British Nationality if they were to marry someone from outside the UK. If Sylvia and Silvio had been deported to his native Italian they would probably have been executed on grounds of being anti-fascist protestors. The red ring has always been used as an anti-symbol and the manner in which the ring, potentially a wedding ring, does not join represents her desition not to marry.

An Ethiopian mother and child are pictured in the last image of the Gate, this shows the work Sylvia did for the East African country. In 1935 the Ethiopian Emperor, Haile Selassie met with Sylvia in the city of Bath. He was in exile from Ethiopia as they were subsumed by Fascist Italy. Italy had begun building a military presence in East Africa, as a devoted anti-Fascist Sylvia was opposed to this and became a great supporter of Ethiopia. After the Second World War, she raised further objections to Britain’s administration of the South Eastern Ogaden, Ethiopia. Although Britain departed in the mid-fifties she continued to spread the anti-colonial message, moving out to Ethiopia in 1956. She spent her time visiting schools, hospitals and development projects. Dying at the age of seventy-eight and was given a State Funeral being made an Honorary Eithiopian.

The mural is to be completed using artists acrylics after an initial cream coat of masonry paint. This finish to be completed with yacht varnish, preferably brush coated. The artist’s fee would be £1000.00 for the design but would need to be completed by a street artist. The design is ready for delivery but modifications may take several weeks.

Silvia Pankhurst was a revolutionary campaigner which is reflected through this mural and the themes which it covers. It will be in keeping with the modernist aspects of the structure but equally, remind us of the rights which were fought for to give us the better world in which we live. Sexual freedom was a liberty which had to be won, how it is acceptable in contemporary society not to marry and to raise children as part of a one parent family. It will inspire feminist ideological thinking and help us move towards equality for women. Artwork which can motive creativity, thoughts around rights towards incarnation and what is occurring in these institutions which is still as relevant today as it was one hundred years later. Thoughts around pacificism, humanitarianism and Britain’s role as a Nation. Philanthropy and how we can give to others more in need in this country and abroad in countries struck by poverty. Equally, the potential to become was Sylvia truly was: a citizen of the World.

A mural which will inspire, motivate and make a real difference.

References:

Sylvia Pankhurst, A crusading Life
1982-1960
Shirley Harrison
Aurum Press
London
2003

http://www.sylviapankhurst.com
A Comprehensive information source
Susan Homewood for Hornbeam Publishing Limited
2008

Mural in location

Beauty is Truth

Female Eunuch

Beauty is Truth is a flash fiction piece written in response to the famous line from John Keates’ Ode on a Grecian Urn. Explicit content to be expected.

The Sister in Law

I look at her and I see no beauty. I see a woman haggard, prematurely aged and sinful in her ways. Fat encases her body as she discards waste through her vocal chords. She slumps her ass down, she flops her misshaped bosom and she lets her fat thighs swamp her fanny flaps. The chin is twinned with an ugly counterpart hanging low, her voice echoes the disparities of her warped soul. Plus size clothes bandage her whale-like form holding in folds of the dishevelled figure.

Then, sickness levels increase, she speaks, dominating the room as she takes over the discourse allowing no option for others to fully engage. A choice of low-level subjects are introduced, as she begins to preach at her appointed Flock, none of whom have selected to attend her dictated sermon. Then out-pours her self-prescribed sensibility juxtaposed by her new age vision of her vile self. Follow rants of thick level feminist, overtly simplistic re-takes of the Female Eunuch, a text she has never read. Then when questioned on a higher level, no answers she can give, discussion over. The dictator cannot be outspoken, she must be listened to, her direction followed not view with subjectivity.

Beauty is truth, ugly is reality, the fat dripping vision encasing the evils of the soul.

Ugly is Death

Alison Little

More information about Ode on a Grecian Urn

A-Z of Amazing Women

A-z 2 010

A-Z of Amazing Women is the new range of prints from Alison Little. The main print takes us through a range of iconic women alphabetically, these are combined with a range of prints of individual women with short statements. She Talks us through why she selected the women for the new range:

Anne Frank                                 The young girl whose diary gave us a real insight into the                                                      Holocaust.

Mary Berry                                  A national treasure, the cooking show host who                                                                      frequents our TV screens.

Cruella Devil                              The 101 Dalmatians leading lady that really kicked ass.

Diana, Princess                         She stole the heart of the nation, her legacy will live                                                               on for eternity.

Emmeline Pankhurst                Led the Suffrage Movement into women gaining the vote.

Florence Nightingale               The nurse who became a Victorian icon and through                                                             making her rounds became known as ‘The lady with the                                                       Lamp’

Ariana Grande                         The singing superstar who helped survivors after a suicide                                                     bomber detonated an explosion at the Manchester                                                               Arena during her performance.

Barbara Hepworth                   The sculptor who led the way for women to work with                                                             heavy materials such as bronze.

Laura Ingalls                              The pigtail parading young lady who inspired young girls                                                       during her appearances in ‘Little House on the Prairie’

Joan of Arc                               The 15th Century female warrior who led the French to                                                           victory, when finally capture she was executed.

Kelly Holmes                              Double Olympic Gold winning runner who was awarded                                                       a Dame hood.

Sarah Lucas                              Leading feminist artist who represented Britain in the                                                               Venice Biennial in 2015.

My Mum                                   The ladies which raise, support and cherish us throughout                                                      our lives.

The Nolan’s                               The seventies all Irish sisters who sung there way into the                                                        limelight in the seventies.

Oprah Winfrey                         The all loving talk show host who became America’s first                                                        multi-billionaire Black person.

Pocahontas                             The native American who stared in the folk tale by saving                                                      the life of an English man held captive when her own                                                            father tried to execute him.

The Queen                               Simply, the Monarch.

Eleanor Rathbone                   The Liverpool member of the Suffrage movement who                                                          helped get women the vote.

Sylvia Plath                               The Pulitzer Prize-winning poet acclaimed for her                                                                    collections.

Tracey Emin                              Turner prize-winning artist famed for ‘My Bed’, the                                                                     installation which caused controversy.

Eunice Huthart                         The contestant that beat the Gladiators then went to                                                            Hollywood to become a stunt double.

Vera Lynn                                 ‘The Forces Sweetheart’ who entertained the troops during                                                    World War Two.

Amy Winehouse                       Legendary for hit such as ‘Back to Black’ and ‘Rehab’ her                                                       music will live on forever.

Beatrix Potter                            The writer and illustrator who brought us books such as                                                           Peter Rabbit.

Malala Yousafzai                     The once school girl who survived being shot by the                                                              Taliban for going to school.

Renee Zellweger                     The Texas-born artist who became Bridget Jones.

All prints are A4 in size and available from Arts Hub.

Arts Hub

 

 

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