An engagement: at the Museum

An engagement

An engagement: at the Museum

The museum is relatively new, but the building historic and highly thought of in terms of grading by the authorities. It’s gold faced clocks hands speak out to the city as a symbol of ancestral culture. They glisten as a focal point from the hills which surround the port city as the low midday sun melts the last of the frosts. She gingerly negotiates her way up the front steps, she has carefully combined kitten heals with tight fit smarter denim’s. Through the red brick arches, she enters the museum. The café stands bright, larger, but higher placed stained glass windows bring colour to the eatery.

Attending many events here previously: drinks receptions, open lectures, exhibitions and varied tours of the Great Victorian structure. Today was busier than expected, it was the first day of the annual literature festival. It had only been running in its current format for several years, perhaps it had started picking up, becoming a noteworthy literary event. Mental note: check website to see what readings and book signings were on later in the week.

These events were not normally as busy, there was a long queue for one of the books to be purchased. The authors must be particularly popular, she will take a closer look, it may be a nice gift for her mother to add to her Christmas presents. Alternatively, a purchase for herself to read over the holiday season as she indulges of the planned solitude of the festivities. Having been on her own for several years now and not liking going to her Mothers to avoid the rest of the family she had spent the last few Christmases isolated in her own pleasure. No obligation to be joyful, simply indulging in the enjoyment of downtime and the pleasure of her own company. Things had been worse before this, the traditional Christmas ‘Barney’ followed by his continual lack of appreciation of her culinary efforts left her with little desire to cook or celebrate on Christmas day.

‘Good’, he wasn’t here yet, she thought to herself. After ordering a coffee she moved to the quieter side of the café. She fixes her hair and checks her make-up on the subtle reflection of the menu holder. The collar of her blouse needed smoothing out slightly, she had gone for a botanic style print. Combined with a snug fit leather jacket, she was officially smart-casual, off work but nicely attired. They had arranged to meet here as they shared similar interests in the museum. Through the week they both worked in varies building scattered around the vicinity of the red-bricked foundation. She sipped her latte, they could perhaps they could share a bottle of wine over lunch, she thought to herself. Mental note: not to drink too much or to indulge in an extra glass of wine or three.

As he enters she waves subtly, his is flush-faced and freshly showered, looking like he had been out jogging that morning. He is carrying several bags from the toy empire and a sports shop. Slipping the bags down, he pecks her on the cheek and smiles as he compliments her appearance.

 

An Engagement: at the Museum is a flash fiction works from Alison Little. She may develop the prose into a short story or potentially the opening of a novel in 2020.

Redesign: Hockney: Westminster Abbey

New des copy

A year ago this week David Hockney’ stained glass window design to mark the reign of Queen Elizabeth the Second was revealed.

The window received many reviews, many positive, many negative.

The Queen was claimed by Hockney to Say:

‘An amazing brightness and clarity, it is a simple, utterly recognisable, direct scene.


From Hockney’ birthplace, the Yorkshire Post stated:

‘It looks like it was painted by a six-year-old.’

 

The Dean, the Very Revd John Hall declared:

‘There’s absolutely no harm in having something which is particularly vibrant and different.’

 

And, I myself, reviewed the window in my article ‘Hockney Smokney’ classified it as being a ‘National Blunder’ in addition to:

 

‘Some kind of organic jellyfish-like form surrounded by randomly positioned pods which bear no relation to the framework of the glass.’

 

So, one year on I have taken it upon myself to create a new design for the window.

and….

..it was much more difficult than I initially imagined….

I have kept with the theme of the Queen and her love for the countryside. More abstract in design I introduced yellows to the uppermost section to imply sunlight. The main bodies of the windows beginning with greens of the land, raising to blues of the sky over the higher sections. The circular elements have the potential to be formed through glass blowing, they introduce the idea of flowers or perhaps blossom. The organic nature of the layout suggests the motion and that of falling.

The result:

I have managed some subtleties.

Is it fit for the Abbey?

No, indeed it is not, perhaps an early concept which could be developed into something of greater standing.

 

Hockeys

Hockney Smokney!