Brit Pop Guitar

2 fingers

The Brit Pop Guitar is a sensation: Visual arts meets music culture with the dynamism of the Nineties which we all love to remember.

The iconic Union Jack which was imprinted on many of the bands of the era immerses within the surface of the guitar. A gritty rendition, presenting many blemishes, reflecting the disenchantment of the decade.

An unusual vision of beauty, the sexy NHS spec wearing girl, projects from the base with the same impact she made in the Pulp’ Common People music video.

Towards the lower section, we have a crowd at the festival which pre-dates Christianity: Glastonbury. Taking us back to a simpler time when entrance meant scaling the fence, away from the inflated cost of festival tickets commonplace within contemporary culture.

On the other side of the bridge, two fingers affront our focus. The insult which many, Jarvis Cocker of Pulp, in particular, brandished throughout appearances. A decade which encountered economic decline, instigating uprisings of dissident activism. The generation which fought back against the raw deal they were inheriting.

Centrally we engage with the Oasis symbol, the motif printed over two levels, dominating the sound-hole. Rendering Britishness, red white and blue, backing the stretches of the guitar strings.

Negativity and dissatisfaction, prevalent of the era, is projected from the upper section:

‘Modern life is Rubbish’

A term coined by the staple of Brit Pop: Blur. The graffiti-style conveys the widespread anti-establishment dissatisfaction of the Nineties.

Butterflies flutter over the neck of the instrument. Our late Millennium radio stations were taken over by Richard Ashcroft of the Verve belting out:

‘Don’t go chasing butterflies.’

A sobering, reflective lyric in a time when heroin was being widely consumed across our nation. A drug which had not only engulfed our cities but had filtered out to our towns and villages.

The head-stock displays one of Noel Gallagher’s acclaimed anoraks. Oasis refashioned the anorak, making it desirable once again. Iconic of Britain, not only due to the protection it offers from our frequent rain showers, but equally re-visualizing the white on the red of the St Georges Cross.

The three-quarter sized Brit Pop guitar is set to make as much impact as its full-size contemporaries. A spectacular string instrument which reminds us why we still celebrate Nineties Brit Pop.

£350

Contact for more information.

 

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Nest in a Goats Beard

A-nest-in-the-Goats-beard-Carmen-Gracia-300x300

Nest in a Goats Beard is an abstract print produced by Carmen Garcia. It is currently being exhibited as part of the ‘She Eclectic’ exhibition at the Victoria Museum and Gallery in Liverpool. This is a section of flash fiction created by Alison Little as a response to the piece:

The image topples round, propelled up by some kind of yellow bubble making machine launching abstract forms. Patterns which expand, texture which can be touched. The machine: a cross between the yellow submarine and the Liverpool tower. A gigantic but equally girly form. Almost folding out, mounts, triangles positioned above the ground. The main form taking the shape of a sixties modernist detached estate disappearing downhill as it stretches away. Floating forms emerge, a kind of balloon making cartoon pistol firing out at comic-strip enemies. A fun-filled water game set within a reclaimed play arena. The form of a shoulder combined with a jumper suit, powering over engrossed in the imaginary of re-enactment.

North End Writers is based from the Victoria Museum & Gallery, holding their monthly meeting there last weekend. The writers read extracts which were written in response to works in the exhibition in the Gallery Space:

The Readings

More about She’s Eclectic