Contemporary Art Smoothie

Cont art smoothie copy

Process milk from Damien Hirst calf ensuring it is free from formaldehyde.

Add some melon from Sarah Lucas’ Au Naturel, tell her to stop ‘Eating a Banana’ and combine to the fluid.

Juice things up with some KY Jelly from Tracey Emin’ bed.

Technique: turn everything inside out the way Rachel Whiteread did with ‘House’.

Pour over ice into one of Grayson Perry’ pots.

Tell Antony Gormley’ men from Another Place to line up and wait to be served.

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Newton’ Cradle: Didsbury Arts Festival

Newtons Cradle copy

A look at the proposal put forward to Didsbury Arts Festival 2019 from Alison Little:

Didsbury Arts Festival 2019

Proposal

Alison Little is a visual artist and writer based in Liverpool, she looks to combine her visual arts and creative writing practice. As an artist, she has worked on numerous commissions from Go Superlambanana’s to Kirby Town Centre Renewal. Her creative endeavours are to include the project management of Rags Boutique: a project to open a disused retail unit as an exhibition space and workshop venue.

Working on numerous public art commissions in the North West, the UK and Western Europe. For the Capital of Culture celebrations in Liverpool, she gained two commissions for Super Lambanana to be sited in the colossal Public Arts Trail which was to overtake Liverpool for the celebrations. Her more recent public art commissions are to include work for Kirby Town centre regeneration where she brought the Vikings back to the North West, strong graphical techniques were used for her most recent mural for East Street Arts new location in Garston.

Newton Cradle is an exciting proposal for the Didsbury Arts Festival 2019. The intention is to create a large version of the famed spherical demonstrator for the festival.

Newtons Cradle is the popular system of demonstrating the conversion of momentum and energy devised by Newton himself. This had been made famous over the decades including the well-covered desk toys in the five ball variety.

The intention is to create a giant-sized version of the cradle to be present throughout the festival. Five giant spheres are to be created, potentially from steel sheeting, then rigged onto the system which can be easily dismantled and re-purposed after the event. Each sphere to be designed by different members of the community. A serious of art workshop to take place in schools and community groups, a winning design chosen for each group. The theme to vary around Didsbury as a place to live, culture, arts, history and diversity. The designs to be painted onto the spheres by the artist, preferably in a public space where the process can be viewed as it progresses. After the festival, repair work to be undertaken and the sphere can be returned to the groups which worked on then to display.

Curiosity is represented through the interest in how the spheres interact and allow for active participation of attendees throughout the festival. Secondary interests are in the artwork created through its process and subject matter.

More about Didsbury Arts Festival

A fun, exciting and groundbreaking visual art activity which will bring the festival to life in 2019.

Cardboard Castles

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Are you king of your cardboard castle?

Castles were strong fortresses built to withstand invasion. Saxon Castles were wooden structures, mounds of earth now, grassy peaks protruding from the ground level. Still standing up as always but no longer fit for purpose.

The middle ages saw the use of stone to create strongholds were the Lords ruled the battlements. Lines of arches were arrows could be fired from, surrounded by motes and drawbridges to hinder attack.

100 years ago the First World War saw the emergence of new-style fortresses. The underground variety located within the complex network systems of the trenches. Built-in below the surface to withstand the ongoing bombardment. Little mud cabin forms, mantelpiece like structures temporarily decorated with images of loved ones.

A century on what are today’s fortresses: cardboard.

Is this an example of vagrancy? King of the cardboard city. The temporary housing villages created by the nations homeless communities. Safety and security which can be found with others in parallel situations. Warmth and shelter created from communal fires and the cardboard which houses their inhabitants. Every city has a Major, so the underworld must have a King of the Cardboard Castle?

Are cardboard castles a new concept akin to that of the ‘Plastic Gangster’. The king-style leaders of gangland armed with the plastic imitation weapons of infancy. Is it a paradox similar to the new style treble glazing which costs a fortune but claims to pay for itself through savings in fuel bills and rises in property value. The audio version, that can be downloaded, of the book you don’t have to bother reading. A falsehood, a castle which is weather consumable where protection of extreme limitation is offered.

Could the Cardboard castle be a statement for the future: Recyclable. Was the vision created to make a temporary art form, to be consumed by the public, then recycled through the ease of our green processing plants. Is the new King of the Castle to be a leading eco-warrior? Will we be lead towards a sustainable future by environmentally friendly processes?

The King of the Cardboard Castle to be the leader of the cardboard city, the plastic gangster with the falsehood of might or the modern force of the eco-warrior?

You decide….

Eco Chamber Marks it’s Territory

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Last week saw the arrival of the various components which will make up the Eco Chamber arrive at Rimrose Valley Country Park. Nestled into the appointed hill they have carved out a route over the brow. Each component is made from re-claimed tyre rims with additional textures of biodegradable plastic bags added using a heat seal process. Next week after a much needed few days of rainfall the Eco Chamber will be built into the landscape.

The Eco Chamber is part of the Rimrose Valley Art Trail as part of the Biennial Independents. Seven artists will present works throughout the Park. Alice Lenkiewicz will transcribe poetry directly onto the pathway in the Goodness Trail. Throughout the Biennial, Sarah Nicholson will present Ir/revocable adding to the entrances of the prominent greenspace. Then in September, after an exhausting walking challenge on the continent, Sarah Jane Richards will bring us Willow Nests.

Environmental Art at its finest, activism to Save Our Park!

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Eco Chamber

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Eco Chamber is the latest sculptural commission from North West Based artist Alison Little. As part of the Liverpool Independents 2018 Biennial it will form part of the Rimrose Valley Country Park environment art trail.

 

Concept: Eco Chamber is to be a form created solely from re-claimed materials, a large pod-like structure, fully spherical. The skeleton of the structures is formed from waste car tires rims structure into spherical forms giving the impression of large atom-like shape. The tire rims are wrapped in bio-degradable green garden waste bags adapting traditional crochet techniques to contemporary practise. Plastic bag usage is essential to the ‘Green’ methodology with them being a major contributor to waste culture in the UK and globally. Some element of green incorporated within the mainly white forms, adding to the ‘Green’ credential but not taking complete control of the colour spectrum. The intention is form to forms to stand out, but not to obscure the urban landscape, Sculptural form which will work will the existing environment. Although made entirely from man made materials and 20th and 21st century manufacturing processes the materials and the working process produce a very organic form. Similar in appearance to traditional thatch works, the medium of plastic bag having straw-like qualities and the use of circular forms commonplace . Using foliage adds to the environmental elements of the chamber, use of beans and sweetcorn plants which are in season at the proposed period adding purpose to the aesthetic. The chamber will be around 2 meters high, a strong visual forms which stamp an environmental message on the festival.

Biennial Independents

Rimrose Valley Country Park

 

Sound City: Performs

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Alison Little, the artist and writer behind many North West based Arts and the creator of this very blog to perform a reading at this weekend’s Sound City.

Sound City is the award-winning Metropolitan Festival set to take over Liverpool’s Baltic Triangle this weekend. The unequalled Festival presents an array of new music and the Arts, re-enforces Liverpool’s cultural heritage. The very best of new acts are to include ‘Slow Readers Club’ and ‘Low Island’ in addition to a variety of acts from all over Europe. Now, over a decade old the Festival is in its eleventh year and looks to be most anticipated to date.

The Unusual Arts Sourcing Company is set to take over the former Cains Brewery site. Named one of the Best things about Sound City 2017 they are back for the second year. We are to join in with life drawing, listen to poetry and watch the operatic performance over the two-day event. Tapas and an array of drinks available from the cafés and bars present in the newly transformed arts venue.

‘All the Fun of the Fair’ is an extract from the Novel ‘Casual Nexus’ which Alison is looking to publish in the autumn of this year. The novel follows a young girls journey from childhood into early adulthood encompassing all turns, many of which are ultimately tragic. The reading is to take place at 5:30 pm on Saturday and Sunday, the art form, a giant representation of a lobster to be present throughout both days.

The best on offer for this Bank Holiday weekend.

Saturday 5th and Sunday 6th of May, Cains Brewery, Liverpool.

Free Entry to Cains Brewery Village

Sound City

The Unusual Art Sourcing Company

Cains Brewery Village

 

I am the Superlambanana

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I am the Superlambanana

I sit on the mantle-piece, brought in a drunken surge from the local bottle shop. Originally cast in China, a miniature of Liverpool finest public artworks. I stand on my plinth and I look around this room, I see the early morning starts, breakfasts followed by the waking of the dog and then the cleaning of the front room. Observing my raised peak tail I see it lacks the rub and polish it received at the factory in China, again when unpacked at the wholesalers, then an extra special rub over when placed by the spirits at the Off Licence. At the factory I was one in a million, on the cargo ship one in a thousand then finally a simple sidekick to the bells whiskey which too many drunks chose to ignore when they stagger into the shop. Here I am an individual, I am the Superlambanana not one of many. I should be kept shinier and more glam to twinkle in the sunlight, but I stand proud as an almighty One-off. Watching everything going on I am central to the house, the head of the main room. I am the focal point, I am the master, I am the controller. Watching them argue, listening to them make-up, seeing their tears and hearing their laughter. I understand their desires and their disdain and I watch when they collide. The pet dog gets a free rein of downstairs, but he is nothing on me, I am glossy and smooth, shapely, standing tall and proud. He is rough coated, shreds his fur and bounces in excitement. He scratches and brings home flea’s, I gleam clean, I am the supreme.

I am the Superlambana.

‘I am the Superlambanana’ is a work of Flash Fiction written by Alison Little in February of 2018, she has lived in Liverpool for fifteen years and witnessed the Superlambanana become a symbol of the city.