I stand Tall
The remains of Mee demolition
Mee, the head man, Mo, Dow and Re-bow
Got started last week
The rest of the building knocked down:
Core kept in place
Splattered to the ground
I stand as I have stood for fifty years
A geometric spiral
Jagging my way upward
a point scoring-level
Increasing, jumping up
The internals of my handrail run free
Lashed, juxtaposed at angels
Reds of point increase indicators
Borders to penetrate
Upper levels to target cross
Heading me off: the control box
The upper cube
An outer look out
Roof maintenance portal facilitator
But the roof is now gone
The cube stands singular
The rain drip tray removed
The target level of console characters
Rubble to the ground
For the weekend I remain
The tower which survived
Friday knock off time
Mee said get off-ski
Mo, Dow and Re-bow
Made route: nearest watering hole
For two more days of the half century
I will stand tall
Monday morning, I shall fall
Crushed to rubble mush
The ultimate Game Over
Game Over is an illustration and free flow text work created by Alison Little.
‘in the woods’ was a commision proposal for a nature trail to be sited near Alder Hay hospital by Alison Little.
in the woods….
Trail, Woodland Walk, Springfield Park, Knotty Ash
The trail looks to present a selection of 15 signs based on an element of nature, wildlife, insects and local history relevant to Springfield Park.
Each signpost to measure around 150meters high in Oak. The top section of posts to be hand carved with either a creature, plant or feature related to the specific sign presented. The services of a woodcarver to be engaged, the finish to be left rough, not finely polished. On the first appearance, walkers may get the impression they have been carved randomly not commissioned craft-works. This is to be complemented by a matt lacquer giving the forms a natural woodland finish.
The signboards are to be A2 and landscape in design. Printed directly to Dibond with an enamel coating to ensure they remain graffiti free. The ‘in the woods…’ logo to be drilled directly into the Dibond then to incorporate the use of small prisms to reflect sunlight either within the holes or on adjacent nature growth structures. The logo has an interactive potential for visually impaired visitors, place braille panels to be added to the lower section of the signs.
Each sign to focus on a different element of the ‘in the woods…’ trail, the design shown has focused on wild garlic. There is great potential to work with local schools and community groups in workshops for slogan generation, image production and using recipes with wood foraged from Spring field park. The results of these workshops to be incorporated within the graphic design of the signage.
More about Alder Hey in the Park
Last week saw the arrival of the various components which will make up the Eco Chamber arrive at Rimrose Valley Country Park. Nestled into the appointed hill they have carved out a route over the brow. Each component is made from re-claimed tyre rims with additional textures of biodegradable plastic bags added using a heat seal process. Next week after a much needed few days of rainfall the Eco Chamber will be built into the landscape.
The Eco Chamber is part of the Rimrose Valley Art Trail as part of the Biennial Independents. Seven artists will present works throughout the Park. Alice Lenkiewicz will transcribe poetry directly onto the pathway in the Goodness Trail. Throughout the Biennial, Sarah Nicholson will present Ir/revocable adding to the entrances of the prominent greenspace. Then in September, after an exhausting walking challenge on the continent, Sarah Jane Richards will bring us Willow Nests.
Environmental Art at its finest, activism to Save Our Park!
Eco Chamber is the latest sculptural commission from North West Based artist Alison Little. As part of the Liverpool Independents 2018 Biennial it will form part of the Rimrose Valley Country Park environment art trail.
Concept: Eco Chamber is to be a form created solely from re-claimed materials, a large pod-like structure, fully spherical. The skeleton of the structures is formed from waste car tires rims structure into spherical forms giving the impression of large atom-like shape. The tire rims are wrapped in bio-degradable green garden waste bags adapting traditional crochet techniques to contemporary practise. Plastic bag usage is essential to the ‘Green’ methodology with them being a major contributor to waste culture in the UK and globally. Some element of green incorporated within the mainly white forms, adding to the ‘Green’ credential but not taking complete control of the colour spectrum. The intention is form to forms to stand out, but not to obscure the urban landscape, Sculptural form which will work will the existing environment. Although made entirely from man made materials and 20th and 21st century manufacturing processes the materials and the working process produce a very organic form. Similar in appearance to traditional thatch works, the medium of plastic bag having straw-like qualities and the use of circular forms commonplace . Using foliage adds to the environmental elements of the chamber, use of beans and sweetcorn plants which are in season at the proposed period adding purpose to the aesthetic. The chamber will be around 2 meters high, a strong visual forms which stamp an environmental message on the festival.
Rimrose Valley Country Park
‘We are Clubmore’ is a mural proposal put forward by Alison Little for a regeneration scheme running in the Clubmoor region of Liverpool.
‘We are Clubmore’ combines typography and abstract painting skill to produce this striking mural. We see a mix of techniques which will draw attention to the regeneration which is happening in Clubmoor. The slogan generated ‘We are Clubmore’ represents to people who reside and work in Clubmore and represent how the community which they create. The use of blue tones and the red backing refer subtly to the Liverpool and Everton Football Clubs which are both n walking distance from where the mural is to be sited. The re-arrangement of the ‘MORE’ is to indicate a cross road, a turning point for the Club more towards a more positive environment.
I am the Superlambanana
I sit on the mantle-piece, brought in a drunken surge from the local bottle shop. Originally cast in China, a miniature of Liverpool finest public artworks. I stand on my plinth and I look around this room, I see the early morning starts, breakfasts followed by the waking of the dog and then the cleaning of the front room. Observing my raised peak tail I see it lacks the rub and polish it received at the factory in China, again when unpacked at the wholesalers, then an extra special rub over when placed by the spirits at the Off Licence. At the factory I was one in a million, on the cargo ship one in a thousand then finally a simple sidekick to the bells whiskey which too many drunks chose to ignore when they stagger into the shop. Here I am an individual, I am the Superlambanana not one of many. I should be kept shinier and more glam to twinkle in the sunlight, but I stand proud as an almighty One-off. Watching everything going on I am central to the house, the head of the main room. I am the focal point, I am the master, I am the controller. Watching them argue, listening to them make-up, seeing their tears and hearing their laughter. I understand their desires and their disdain and I watch when they collide. The pet dog gets a free rein of downstairs, but he is nothing on me, I am glossy and smooth, shapely, standing tall and proud. He is rough coated, shreds his fur and bounces in excitement. He scratches and brings home flea’s, I gleam clean, I am the supreme.
I am the Superlambana.
‘I am the Superlambanana’ is a work of Flash Fiction written by Alison Little in February of 2018, she has lived in Liverpool for fifteen years and witnessed the Superlambanana become a symbol of the city.
A Lesson in Pseudoscience was the second design submitted by Alison Little for Bea in the City, the mass public art trail for Manchester, summer 2018.
A lesson in Pseudoscience looks to present an image of a physics-based lecture where the science behind the flight of the bumblebee is explored. We look at concepts presented by famous entomologist August Magnan who determined that through the laws of fight the Bumble Bee simply couldn’t fly. We introduce concepts of formula to work on the potential wingspan, angles and wing texture. Examples of helicopter propellers and small tornadoes are illustrated in reference to the physics-defying flight part of this great insect. The base contains the final statement from the Bee itself ‘I can fly’ showing he is clearly about to perform the action of flight.