A Future

A future college copy

A Future

Head of Augustus
Looms down
Baby faced leader
Acquisition of colonialism

Castles stand proud
Once battlements
Survived invasions
Safeguard our shores

Across the beaches
Horseback troops thrust
galloping to battlement
Faster and Faster

Classic novels align
Our past, our heritage
The Empire, British supremacy
Victories acclaimed, territory conquered

Trains travel coastal bound
Frontiers of our Nation
Dishevelled
In need of renewal
Clatter and shake
Dust encased carriages
Lumped upholstery
Scrunched newspaper
Once great railways
Screech, screech

To the sea-side resorts
Past popularity
Former Glory
The Great British Holiday
Buckets and Spades
Ice Cream
Candy Floss
Deck Chairs
Donkey Rides
Punch and Judy
Now piers neglected
Slats rotting sea’s
Package holidays: deserted
Cheap flight redundancies
New desires: Mediterranean

Bataclan made famous
Once Norman conquerors
Suffering the same fate
Home-grown terrorism

Late capitalism looms
Community companies thrive
Social banking
Greener investments

Solar power
Sustainable energy
Centre stage
On our minds
On our consciousnesses
On our futures

Ice caps melt
No longer ignored
Pigtail bound school girl
Stands up
Takes on World presidents
‘How Dare’
Resonates
Leaders, baby faced
Earth must not resign
We, the Whole World
Act now
Turn down the temp
Reduce
Re-consume
Re-use
Re-vive
Re-demand a future.

Alison Little

 

A future, free flow text inspired by visual material collated as college featured above.

1950’s Girls Annuals: the Homemaker

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Seventy years on from when the girls annual of the 1950’s were being read in the  pink bedrooms of the post-second world war generation we look back at there content. Where they looking to inspire the girls who would grow up to lead second-wave feminism through the seventies, or were they looking to indoctrinate the next generation of Housewives?

Girls literature of the 1950’s painted a world of domestic bliss. The role of sewing, the adoration of flowers and the wearing of impractical clothing prevailed across the pages of mid-century girls annuals. Poems encourage the practice of cleaning, baking, being house-proud, having the most perfect hair and awaiting the kiss of a man. The role of the party planner is put forward, a caregiver role projected. However, not to be forgotten in Britain, the concept of making tea in a crisis is ever-present.

Pressures on young girls to be lady-like

The continual pressures on young girls to be lady-like. Any matters of rebellion from this notion are lame and akin to stories of naughty schoolgirls. Images of impractical sports clothing, skirts worn for tennis and golf. Dancing is in full costume and skiing is shown to be gentle and relaxing. With sports like rowing, women simple sit back as men take the oars. Similar scenes are shown with motor vehicles, males are strong and take the wheel, steering away from danger and girls watch on. Generally, the women are beautiful, appear to be sunning themselves as the men do all the work. They are gorgeous, pale-skinned, flushed cheeks with bouncy blond hair adorning their slim bodies. Looks of women pleading with men as they carry all the heavy items. Delicate women prevail as they receive kisses on the hand from admiring men. Many of the tales inscribed simply escalate to men saving the day as the women look on in awe.

Boys literature of the period was in starch contrast to that of girls. They masqueraded daring adventures, escapades and the dangers of warfare so prevalent on the minds of those growing up in the years which were the aftermath of World War Two. Presenting depictions of action sports, space exploration and tackling monsters. Many of the tales bore similarities to the ever-popular Westerns of the time, cowboys, Indians and hunting. Cops and Robbers was an ever-present theme. We were also introduced to the world of large, expensive motorcars, Bentley’s of the era. Top athletes, racing and highly competitive sports dominated the pages of the 1950’s annuals. Men were shown to be strong and capable, getting into fights and adventures took place across the globe. Incidentally, many of the representations of black people were tribal in origin. Images of women seem simply to depict a gorgeous girl who sits there as the man wins her with his actions. Cigars are also present, as a male indulgence, not something to be discouraged. Work and logic puzzles were headlined around ‘Shoot’ and ‘Hit’, evoking a strong sense of competition. Practical skills were encouraged through narrative’ around tools and making exercises were played out.

Contemporary girls literature has modified immensely from the 1950’s. Positive, empowering statements ‘I can’ and ‘You can do anything’ embrace our pages. Girls are now dressed as action figures and take on space exploration. Females from ethnic minorities are now included and girls vary greatly in their appearance. We are presented with different faith groups and the idea of unconventional family groups are put forward. Those with disabilities are shown and take on powerful roles.

Becoming a ‘Leader’ is suggested, women are no longer here simply to do as men instruct them.

Inspirational positions and occupations are presented as life choices. Becoming a ‘Leader’ is suggested, women are no longer here simply to do as men instruct them. Positive real-life role models are presented through photography and text. Girls are shown to be practical, using tools and building projects. The former male domains of math’s and science are promoted, the aesthetics of wearing goggles for experiments put in a positive light. Environmentalism is a new agenda, current affairs and politics are embarrassed. Tea parties are now of the fair trade variety and healthy pursuits of foraging for food are encouraged, taking from the male hunter, gatherer role. Making projects develop skills in science, numeracy levels and encouraging activism.

The nostalgia of the fifties is enjoyable to re-collect, the role of the mother and the home-maker not to be discredited, contemporary girls literature id clearly more inspirational. Modern-day girls Annuals promote positive female aspirations, leadership and activism, not being lady-like and waiting for a man to save the day. Female literal sources which will create a more positive power balance for women of the future.

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Rags, the Boutique does Southport

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Last Saturday saw the fun of Rags Boutique at Southport Festival.

For the magic-themed festival we created an array of high standing wizard hats, a collection of mushroom masks. Black cats masqueraded and a troop of unicorns topped everything off.

Alison Little started Rags Boutique workshops over a decade ago as part of Bold Street development as consumers were flocking to the newly opened Liverpool 1 and retailers were losing custom. She then found a temporary home for the workshops and an exhibition venue in The Old Paint shop, Rapid. The workshop has grown from strength to strength making appearances at the Winter Gardens in Blackpool and the Museum of Liverpool on several occasions.

Last weekend it was Southport’ turn and it livened up Mermaid gardens in the traditions of Lord Street. Southport Festival takes place in early May, lining the streets with arts, dance, music and comedy.

More about Southport Festival

Much fun was had on the streets of much loved Southport.

Ensigns make a mark at the Museum

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Last Saturday saw a line of children and adults, tots and basically those mortal getting involved with the fun of flag making. The last weekend of the Liverpool Irish Festival took the Rags Boutique workshop to the contemporary interior to the Museum of Liverpool.

A wonderful day spent with a colourful bag recycling project on the iconic waterfront. We saw identities being identified through the Greens of Ireland, the Red, White and Blue of Britain and the Purples of Feminism.

Flagpoles on the hole of the day and adults which showed us they still knew how to play dress up!

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Cardboard Castles

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Are you king of your cardboard castle?

Castles were strong fortresses built to withstand invasion. Saxon Castles were wooden structures, mounds of earth now, grassy peaks protruding from the ground level. Still standing up as always but no longer fit for purpose.

The middle ages saw the use of stone to create strongholds were the Lords ruled the battlements. Lines of arches were arrows could be fired from, surrounded by motes and drawbridges to hinder attack.

100 years ago the First World War saw the emergence of new-style fortresses. The underground variety located within the complex network systems of the trenches. Built-in below the surface to withstand the ongoing bombardment. Little mud cabin forms, mantelpiece like structures temporarily decorated with images of loved ones.

A century on what are today’s fortresses: cardboard.

Is this an example of vagrancy? King of the cardboard city. The temporary housing villages created by the nations homeless communities. Safety and security which can be found with others in parallel situations. Warmth and shelter created from communal fires and the cardboard which houses their inhabitants. Every city has a Major, so the underworld must have a King of the Cardboard Castle?

Are cardboard castles a new concept akin to that of the ‘Plastic Gangster’. The king-style leaders of gangland armed with the plastic imitation weapons of infancy. Is it a paradox similar to the new style treble glazing which costs a fortune but claims to pay for itself through savings in fuel bills and rises in property value. The audio version, that can be downloaded, of the book you don’t have to bother reading. A falsehood, a castle which is weather consumable where protection of extreme limitation is offered.

Could the Cardboard castle be a statement for the future: Recyclable. Was the vision created to make a temporary art form, to be consumed by the public, then recycled through the ease of our green processing plants. Is the new King of the Castle to be a leading eco-warrior? Will we be lead towards a sustainable future by environmentally friendly processes?

The King of the Cardboard Castle to be the leader of the cardboard city, the plastic gangster with the falsehood of might or the modern force of the eco-warrior?

You decide….

Eco Chamber Marks it’s Territory

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Last week saw the arrival of the various components which will make up the Eco Chamber arrive at Rimrose Valley Country Park. Nestled into the appointed hill they have carved out a route over the brow. Each component is made from re-claimed tyre rims with additional textures of biodegradable plastic bags added using a heat seal process. Next week after a much needed few days of rainfall the Eco Chamber will be built into the landscape.

The Eco Chamber is part of the Rimrose Valley Art Trail as part of the Biennial Independents. Seven artists will present works throughout the Park. Alice Lenkiewicz will transcribe poetry directly onto the pathway in the Goodness Trail. Throughout the Biennial, Sarah Nicholson will present Ir/revocable adding to the entrances of the prominent greenspace. Then in September, after an exhausting walking challenge on the continent, Sarah Jane Richards will bring us Willow Nests.

Environmental Art at its finest, activism to Save Our Park!

RV-art-trail-map

Eco Chamber

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Eco Chamber is the latest sculptural commission from North West Based artist Alison Little. As part of the Liverpool Independents 2018 Biennial it will form part of the Rimrose Valley Country Park environment art trail.

 

Concept: Eco Chamber is to be a form created solely from re-claimed materials, a large pod-like structure, fully spherical. The skeleton of the structures is formed from waste car tires rims structure into spherical forms giving the impression of large atom-like shape. The tire rims are wrapped in bio-degradable green garden waste bags adapting traditional crochet techniques to contemporary practise. Plastic bag usage is essential to the ‘Green’ methodology with them being a major contributor to waste culture in the UK and globally. Some element of green incorporated within the mainly white forms, adding to the ‘Green’ credential but not taking complete control of the colour spectrum. The intention is form to forms to stand out, but not to obscure the urban landscape, Sculptural form which will work will the existing environment. Although made entirely from man made materials and 20th and 21st century manufacturing processes the materials and the working process produce a very organic form. Similar in appearance to traditional thatch works, the medium of plastic bag having straw-like qualities and the use of circular forms commonplace . Using foliage adds to the environmental elements of the chamber, use of beans and sweetcorn plants which are in season at the proposed period adding purpose to the aesthetic. The chamber will be around 2 meters high, a strong visual forms which stamp an environmental message on the festival.

Biennial Independents

Rimrose Valley Country Park