Graham Smillie: photographer, has worked on numerous creative endeavours throughout Liverpool and a leading figure within the creative community. We address how his photographic practice took him from capturing the cities musicians to the road side shrines which divide our communities.
Graham established his photographic practice in embracing his passion for the music industry through capturing bands, his lens a staple at the famed Threshold Festival. Navigating towards the end of the last decade, BC (Before Covid), his creativity has led him towards social documentation and social engagement practices. Representing musicians became time capsule shots of deceased animals as a result of traffic accidents. Revolutionary new work evolved into what is currently the visual documentation of roadside shrines. Graham contemplates the process of forming memorials and their social impact through the digital lens.
The social impact of shrine creation through their visual capitulation. Their impact on where they are cited within the community in parallel to their digital presence in the rapidly expanding realms of the virtual world. The social and political context of photography and activism through creative practice.
His work also explores of the memorials he has photographed: attachments to trees, professional and traditional florist arrangements. Waterproofing methodologies, the use of imitation flowers and real foliage which often wilts rapidly. How self-built monuments develop and grow, seasonal and Birthday expansions. Variations between more rural roads and the city environment: high rise residential buildings and pedestrian barrier systems.
A photographer who delves into the impact of makeshift memorials. How they can divide communities, objected to by local residents and frequently removed. The health impact of marking the scene of a fatality, overcoming loss and disbelief.
Above Left: Ben
Above Right: Tree
All rights reserved Graham Smillie