Block Works is the latest concept based practice from Alison Little: comprising of a series of sculptural forms which represent areas of urban residence. An ethnology process where collections of discarded objects are cemented together in block form. The artifacts are selected and encased in the common urban material offering an explanation of those who occupy the city space, their lifestyles and methods human existence.
Everton Block Works engages our attention with the towering form of the engine suspension system, reflecting the second-hand car culture commonplace within the area. Several narcotics smoking devices emerge from the upper surface, indicating drug use within the external environment. Homelessness or the misguided pursuits accountable as youth culture. Contrasted by the healthy activities of dog walking, shown by a lead and enhanced by an exercise equipment suspension spring. An adjacent feather shows the ever present urban pigeon, commonplace within cities globally. The top surface encases a heavy industrial ring, accompanied by screw findings, rope matter throughout the form. Manual work being common with local inhabitants. Child’s playthings are present, but items from £1 stores from lower-income families. The edges of the block are lined by food consumer packaging waste: crisp packets, fizzy and alcoholic drinks cans. A suburb where the unhealthy diet is prominent and drink alcohol a persistent activity. The greens and grays of the blocks finish reflect the mix of residential and urban green space which dominates the Everton area.
The top section of Anfield Block Works is entangled by the dynamics of a discarded cable. Other electric wastes reflect a culture where the inhabitants are happy to discard debris freely. An array of drinks top illustrates further examples of poor diet, however, an exercise water bottle top suggests healthy activities. This is joined by a dog toy and tennis ball, positive pursuits within a leisure space. Again, a pigeon feather evidence of urban wildlife. Examples of gambling additions within the district can be drawn from the miniature blue pen of the bookies. Wire wool, cable systems and sponge matter indicating manual tasks occurring within the outdoor spectrum. The Liverpool football stadium ‘Anfield’ being a central hub of the district. The inflatables from match-days, the drinks straws from spectators present in the block formed in the shadows of the Kop. The final colour showing a degraded range of greens and blacks, an urban green space heavily polluted by the traffic of the stadium.
The Block Works Collection with expand across the city and further afield. More collections with be collated, encased and presented as representations of the city and occupants.
Stand dipped inward
Mushroom high drinking tables
Scattered natures gift
Natures tables is a Haiku from Alison Little, written as a response to escalating numbers of wild mushroom present in Booker Hill Woods late 2019.
Haiku poems originated in Japan, they are made up of three sentences. The first sentence contains five syllables, seven syllables for the central line and five again for the final statement. The poems are usually theme around nature or emotions.
More about Haiku
More about Booker Hill Woods
Free Fall text from Alison Little as a response to the tree wasted area located adjacent to the entrance to Wavertree Park in Liverpool.
Cut freshly, discarded
Entry to the park space flanked
by the aftermath of festivity
Some burnt out
Shelled, garotted by flame
Everlife of the Evergreen
Void of waste
Revive, renewal, rejuvenation
New Year: a fresh start
The festive season,
a portal, new beginnings
Pressures, Pitfalls left behind
Opportunities on the horizon
Mentally, leased a new life
Engulfed by optimism
Walking into the positivity of the future
‘in the woods’ was a commision proposal for a nature trail to be sited near Alder Hay hospital by Alison Little.
in the woods….
Trail, Woodland Walk, Springfield Park, Knotty Ash
The trail looks to present a selection of 15 signs based on an element of nature, wildlife, insects and local history relevant to Springfield Park.
Each signpost to measure around 150meters high in Oak. The top section of posts to be hand carved with either a creature, plant or feature related to the specific sign presented. The services of a woodcarver to be engaged, the finish to be left rough, not finely polished. On the first appearance, walkers may get the impression they have been carved randomly not commissioned craft-works. This is to be complemented by a matt lacquer giving the forms a natural woodland finish.
The signboards are to be A2 and landscape in design. Printed directly to Dibond with an enamel coating to ensure they remain graffiti free. The ‘in the woods…’ logo to be drilled directly into the Dibond then to incorporate the use of small prisms to reflect sunlight either within the holes or on adjacent nature growth structures. The logo has an interactive potential for visually impaired visitors, place braille panels to be added to the lower section of the signs.
Each sign to focus on a different element of the ‘in the woods…’ trail, the design shown has focused on wild garlic. There is great potential to work with local schools and community groups in workshops for slogan generation, image production and using recipes with wood foraged from Spring field park. The results of these workshops to be incorporated within the graphic design of the signage.
More about Alder Hey in the Park