Block Works

Blanket 058

Block Works is the latest concept based practice from Alison Little: comprising of a series of sculptural forms which represent areas of urban residence. An ethnology process where collections of discarded objects are cemented together in block form. The artifacts are selected and encased in the common urban material offering an explanation of those who occupy the city space, their lifestyles and methods human existence.

Everton Block Works engages our attention with the towering form of the engine suspension system, reflecting the second-hand car culture commonplace within the area. Several narcotics smoking devices emerge from the upper surface, indicating drug use within the external environment. Homelessness or the misguided pursuits accountable as youth culture. Contrasted by the healthy activities of dog walking, shown by a lead and enhanced by an exercise equipment suspension spring. An adjacent feather shows the ever present urban pigeon, commonplace within cities globally. The top surface encases a heavy industrial ring, accompanied by screw findings, rope matter throughout the form. Manual work being common with local inhabitants. Child’s playthings are present, but items from £1 stores from lower-income families. The edges of the block are lined by food consumer packaging waste: crisp packets, fizzy and alcoholic drinks cans. A suburb where the unhealthy diet is prominent and drink alcohol a persistent activity. The greens and grays of the blocks finish reflect the mix of residential and urban green space which dominates the Everton area.

The top section of Anfield Block Works is entangled by the dynamics of a discarded cable. Other electric wastes reflect a culture where the inhabitants are happy to discard debris freely. An array of drinks top illustrates further examples of poor diet, however, an exercise water bottle top suggests healthy activities. This is joined by a dog toy and tennis ball, positive pursuits within a leisure space. Again, a pigeon feather evidence of urban wildlife. Examples of gambling additions within the district can be drawn from the miniature blue pen of the bookies. Wire wool, cable systems and sponge matter indicating manual tasks occurring within the outdoor spectrum. The Liverpool football stadium ‘Anfield’ being a central hub of the district. The inflatables from match-days, the drinks straws from spectators present in the block formed in the shadows of the Kop. The final colour showing a degraded range of greens and blacks, an urban green space heavily polluted by the traffic of the stadium.

The Block Works Collection with expand across the city and further afield. More collections with be collated, encased and presented as representations of the city and occupants.

This slideshow requires JavaScript.

Convict Blanket

Blanket 090

Convict blanket is the latest art activism works from concept-based arts practitioner, Alison Little. A sensation to shock and stand against rape, rape culture and the authorities put in place to tackle sex crime within our society.

Convict blanket confronts us with the homage style of using material available, in this case, the humble scratch provoking woollen coverings of the bed. The use of blanket stitch and appliqué reminiscent of techniques used in prison protests where all resources must be reclaimed from the sparse provisions available when incarcerated. The blanket is floor-based, slightly raised to one side. The text and images locate with the nearest edge in which they are placed, allowing the viewer to read the statements as their paths encircle the form. The use of hand-embroidered text reminiscent of the marker pen on corrugated card portrayals commonplace throughout activism. Texts vary in scale, case and font in regards to the emphasis placed on the statement which is being presented. Large bold statements often present definitive assertions, small joined-up style wording is often examples of dialogue and opinions of the minority. The black text looks to address how to reduce the numbers of sex attacks by convicting more rapists. In opposition, the red highlights issues within society and the authorities put in place to tackle sex crime which are failing at every given opportunity. Although male rape is equally as relevant, this identifies with female rape which is statistically committed in greater numbers.

The first of the black text presents a printed abbreviation, ‘HMP‘. This is commonplace within the UK, ‘Her Majesties Prisons’ being the full term and the title for units of incarceration. The larger appliqué fonts present ‘Convict‘ and ‘Rapist‘, indicating an intention for more sex offenders to be serving custodial sentences. This is emphasized in greater detail by a well-defined corner based statement:

We must press for the conviction of more rapists.’

A powerful sentence, stating the motivation behind the activism, the use of the second person to engage the viewer with the protest.

Post Traumatic Stress Disorder (PTSD), which is common among rape survivors is raised within smaller statements. Dressing down as a result of being raped is proposed, backed up by an image of a ‘Hide under’ hoodie. Larger texts draw attention to statistics:

‘1 in 10 rapes are reported to the Police, of these only 1 in 10 lead to a conviction.’

Due to current changes within the Crown Prosecution Service (CPS) this figure is currently much lower. The statistic highlights how rape is one of the most under-reported crimes. The statement is reinforced by the pie chart indicating that only 1% of rapes committed lead to a conviction.

Patriarchy is addressed, male supremacy being a factor in why rape is not being tackled effectively. Police apathy over sexual assault cases is presented. Demands towards the recruitment of ‘Strong, capable women,’ are made, requesting women who will prioritise rape over trivia to be brought into the Police Force. Drawing attention to the vulnerability of the rape survivor, showing how there needs should be prioritized. The black statements concluding with the most vital statement of them all, the rapist being ‘100%‘ to blame for rape.

The red text looks to highlight why our society is failing to reduce numbers in terms of sexual assault and punishing more sex offenders through the penal system. The large appliqué terms read ‘Rape Culture’ and ‘Victim Blaming’. Across the blanket, we have statements which highlight examples of victim-blaming, itself a factor within rape culture. Projections of low morals, promiscuous clothing, the rape survivor being presented as ‘The Whore’ and extreme example of ‘Slut-shaming’ are identified. Misconceptions around PTSD are given, many are still not aware that this condition is commonplace with rape survivors. The second delusion of rape being unusual is also stated. Narcotic and alcohol use are presented, suggestions that mild cannabis inhalation could result in hallucinations an example of ignorance. Again, blaming the victim through alcohol consumption, the concept of consenting to sex being overlooked.

Patriarchy being stated, showing the focus of the law to be on protecting men from being falsely accused of rape. How the Police Force is male-dominated, the notion of many of these ‘Men’ having little intentions of acting against rape, in this, recruiting weak, feeble women to actively fail rape survivors. This is developed by drawing attention to the actions of many Police Women, their sole contribution to a rape enquiry to be establishing what happens when they get dressed up, thus providing the opportunity for them to reflect on their superior beauty. The trivial nature of operatives, examples of attire being copied being prioritised as opposed to communicating the nature of the sex attack. This is matched by their counterparts, Policemen, many are only interested in their prowess, continually falsifying reports on how the rape survivor is attracted to themselves. Looking at the attitudes of Police personnel, those who feel that they are not expected to do anything in a rape case, the extremities being the role of the rape victim to protect and shelter vulnerable officers.

Ultimately, the saddest statement of all:

‘It was my fault I was rapped.’

The victims who blame themselves, a factor in why so many crimes are not reported to the authorities.

‘Convict Blanket’, innovative works, at the helm within the spectrum of art activism. Artwork which can challenge misconceptions around rape, concepts which can address issues in society and confront the authorities put in place to act against rape. Ultimately, ‘Convict Blanket’ will lead to the conviction of more rapists, reducing rape crime and proposes a safer society.

Convict Blanket will be exhibited from spring 2020.

This slideshow requires JavaScript.

Riendeer versus Diesel

santa copy

The last call of the evening on my busiest evening of the year Christmas Eve, I overheard a comment about how reindeer must be soo much cheaper than diesel. Reindeer cheaper than diesel? You have to feed them and they eat loads. Harnesses have to be bought and you have to pay extra for the re-enforced ones when you have some many of the damn four-legged things. There’s re-hoofing which is bearly affordable then there are the exploitative vet’s bills. You need to provide stalls for them to sleep, a constant supply of hay is required, making sure it doesn’t get wet and there is enough to last over the winter. That’s in addition to the four-acre field which I am still paying off the mortgage on for them to graze and get exercise in the form of running around and playing silly animal chase games. Then you add in the time it takes to find them when they go missing, that Rudolf is a pain, always breaking out I think he’s getting his leg over with some girl reindeer probably thinning her antlers over on the other side of town.

Reindeer cheaper than diesel, as if!

End of the year, a year spent making toys with only the help of a number of miniature Elves. Exclusive, handmade, limited edition creations which utilise traditional manufacturing techniques. Then despite the fact I’ve travelled all around the World, over only one night, the kids aren’t interested in the toys. They want the latest Wii, hoverboard skateboards and pixel purses. It’s the North Pole, how are we supposed to churn out the latest digital technology creations on mass?

Then there the issue of everyone thinking I want to drink milk like I’m some kind of baby. I managed two brandy’s over Paris, one malt whiskey in Glasgow, then things seemed to be looking up on my first call in New York. I thought I’d been left some fancy cocktail, a long island iced tea or something, then when I went to drink it the mother snatched it from me. ‘That’s mine’ was followed by her slapping my hand like I was some kind of Street beggar.

It got worse in the Bronx, one woman was actually unconscious, the apartment stunk of the crack she had been smoking from the glass pipe which had been smashed on the floor. On waking she got me confused with some kind of oversized bat despite the fact I was dressed head to toe in Red. So not only do I have to pay taxes to support her crack habit, I am expected to provide the funds for her child as the father wasn’t there, I also am required to personally deliver presents for her offspring.

Then when I eventually get back there’s unharnessing the reindeer, feeding them, brushing them down and sorting out the stalls for them to sleep and making sure there’s something footed up again Rudolfs so he doesn’t get out. And what does my wife do while I do all this, she cooks dinner with the food I have afforded. I only got away from her whining about being menopausal a few years ago, before that she was always moaning about being pre-menstrual. Once, in the Seventies she even wanted me to pop to the shops and get some sanitary towels when I was still wearing my best Christmas Eve Santa Suit.

Next year I am cancelling Christmas, I am making no toys, there will be no more employment for blasted Elves, the Reindeer are going, the field will be sold and I am getting the latest diesel sleigh. No more milk, no more ungrateful kids and no more being expected to provide for Crack whores offspring.

Next Christmas is officially cancelled!