The Liverpool Mountain

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Does the luminosity of the latest contemporary public art form in Liverpool turn you on or off?

Ugo Rondinone, the Swiss-born, New York-based artist has gifted his work to the Royal Albert Dock in Liverpool.

The multi-coloured stack of rocks finished off with a T section had been sited on the waterfront, nestled beside the Tate Liverpool for almost four weeks now. The sculpture was commissioned to mark ten years since the Capital of Culture, twenty years of the Biennial and thirty years of Tate Liverpool.

Other works by the artist have included seven mountains, simpler luminous rock stacking forms, located just outside Vegas. Initially unpopular, Sixteen million visitors later its safe to say it has won over the public. Will the Liverpool mountain win the hearts of the art-loving Scouse city dwellers? Will it become an icon of the city like the initially revered Superlambanana?

The form is said to be based on a combination of ancient totem poles, medieval rock balancing and hoodoos. Hoodoos being rock spirals formed from weathering over centuries, commonplace in the desert of the United States. So do the seven mountains in Nevada seem fitting in their location in ways the Liverpool Mountain does not?

Do the aesthetics of the colour choice resemble the artistry of a primary school pupil first being given luminous paint in the eighties then deciding all the colours must be used at once?

The verdict: It certainly does brighten up a drizzly day on the docks. Let’s wait and see if the luminosity of the Liverpool mountain turns on the cities art lovers.

Photos Credits to Jamie Pickering.

Ugo Rondino

Liverpool Biennial

Tate Liverpool

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Small Steps and Art Activism

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Last Thursday saw Small Steps events take over Make on North Liverpool Docks.

Small Steps runs events to highlight social issues through the arts. Last Thursday saw an eclectic mix of performance, a breathtaking visual arts exhibition and engaging workshops drawing attention to Mental Health.

Cork-based artist Ann Mechelinck showed us how craft-based practice can highlight mental health issues with several pieces she exhibited at Make. Mechelinck spent many years living and working in Belgium as an administrator. On her return to Ireland, she decided to re-engage with her creative passions and began a body of study Crawford College in Cork. The most prominent of her works in the exhibition was ‘Release’. In this, she explores the restrictions we face in life by materialism, relationships and expectations. Using a knotted structure which she allows this to
‘Release’ free onto the floor. An exceptional fibre artist using structuring techniques to explore mental well-being.

Rebecca Hancock brought some intensely scratched text art to the exhibition. Hancock is a recent graduate from Central St Martins in the Capital. She uses her work to express; fantasies, hopes and dreams, but equally, vulnerability, anxieties and fears. The work exhibited ‘March 2016-Present Day’ presents hand scribed re-writing of eight months of diary entries. The period covers changes in medication and severe depressive episodes combined with panic attacks and anxiety. Raw, unmoderated, expression of coping and not coping with evolving cerebral turmoil.

We were taken on a journey by Moscow based film-makers Diana Galimzyanova and Artem Gavrilyuk-Bozhko. Galimzyanova’ rapidly expanding collection of award-winning short films have been shown at more than sixty festivals and fifteen countries. ‘Painting the Abyss’ came to Make last week stunning its audiences. The actor begins to paint his face with a light reflection of a cross central to the screen. As black is added the face paints formate into a type of warpaint, a kind of camouflage. As this progresses, old-dated, black and white train travel scenes are superimposed onto the footage. The narrative climaxes as the actor drops his head back and looks towards the ceiling. He marks a cross on each side of his neck indicating where to cut was an assumed knife. This progresses into the removal of the paints from the face. Powerful use of moving image which confronts us with the grim realities of ending one’s life.

Painting the Abyss

Not forgetting the painted works of Philip Chandler identifying with long-term depression. Gender roles were challenged by the embroideries of Jonathan Beavon. The floor space was occupied by another showing of Alison Little’ SV: Sex by Violence in Liverpool.

A remarkable exhibition, a fully engaging evening and evidence that art activism can make a real difference.

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Small Steps

Make

Ann Mechelinck

Rebecca Hancock

Diana Galimzyanova

Take away Lobster to Liverpool

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‘All the Fun of the Fair’ is the latest installation from Liverpool based artist Alison Little. As part of the Liverpool Independent Biennial, it is being exhibited at 5 Bold Place. She presents a scene based in the American seaside resorts of Maine Country where the lobster is king and sold from the takeaway food stalls which litter the coastal towns.

Alison Little is an Artist and Writer, though her work she looks to combine her creative practice across visual arts and literature. ‘All the Fun of the Fair’ in its first concept is a short story of a young student who is raped during a summer placement in fairground town in the United States. This was written by Alison Little and has been published on her Blog in addition to several zines. This has been developed into a full chapter for the novel she is writing: Casual Nexus. In combination with the creative writing process, Alison produced a giant, man-size Lobster made from a process of creating a polythene shell and filling this with shredded paper. As an artist, she has been developing this technique for several years and often identifies similar subject matters of sexual violence and mental health. The lobster was exhibited for Sound City in the Baltic Triangle in combination with a reading of the original fictional source in May of 2018.

‘All the Fun of the fair’ the installation suspends the giant lobster form in the windows of Bold place. The inner side of the works contains statements related to the violation which can be read when looked at the mirrors located on the lower level. Sand runs across the bottom of the installation, covered by an arrangement of broken beach toys and discarded low-cost trinkets. These elements suggest American, Maine County, in particular, beach holiday debris. We present a New England seaside town where the lobster is prominent on the takeaway food stalls which line the Seafront.

In the initial short story, the rapist is transformed into a giant lobster, the girl unable to move throughout the act. To the underside of the shelled creature, we have a collection of statements relating to sexual predication. ‘Invade’, ‘Assailant’ and ‘Molestation’ are all prominent terms amongst the others present. The broken mirror is positioned to the lower side of the giant sea creature, this allows the viewer to position themselves to read the terms from different angles.

The ground space of the installation is cover with sand to suggest the golden beaches of the North American seaside towns. However, the beach area is covered in litter to suggest adverse lifestyles. The discarded freezer blocks and pick nick cups, in addition to food stall waste, set the scene for an unpleasant beach holiday. The prominently positioned coffee cup displays a label from Maine County, combined with a Portland Take away lobster box indicate the New England North Atlantic Coast. The end of games and childhood fun are presented through the broken and lost assemblage of outdoor toys. The burst and deflating paddling pool suggest an end to the innocence of infancy. An indication of celebration but also destruction are introduced by the exploded firework and the burst balloon. Could this be a fourth of July party gone wrong? Cheap State side Larger is forefront in the window display, Budweiser cans convey a seafront drinking party where the cans have been swigged down at pace. The presence of rough sleepers, or more commonly terms vagrants is given through the squashed, toxically coloured cider bottle. The American term these individuals ‘Bums’, they are present in these towns during the summer months, they travel to the resorts when the population swells to solicit the tourists. On a darker note, we are presented with narcotics, the indication of a luminously coloured crack pipe, surrounded by packets of Rizzla, cigarette papers used to inhale cannabis. Do we have a scene of destruction where intoxication of controlled substances is a factor? Ultimately, we have a final item of sexual debris, a Durex wrapper, the Transatlantic term being ‘Sheaf’. Has there been a sex act gone wrong, a liaison which has ended in devastation?

On first inspection we see a Transatlantic beach holiday representation, on deeper investigation we see a holiday gone wrong. We see destruction and devastation, we see negativity and hostility.

Dates: 3 August – 3 September, 2018
Location: 5 Bold Place, Liverpool, L1 9DN

See Map

Times: 07:30 to 23:00 daily (viewing from street)


Art In Windows is a small organisation that works with landlords and artists to commission and curate temporary and permanent art works for display in empty windows in and around Liverpool.
Art in Windows

The Liverpool Biennal Independents runs from the 18th of July until the 28th of October.
Independents Biennial

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Keys

Keys Image copy

Keys is the latest flash Fiction work from Alison Little.

Keys

Around us we are surrounded by keys, hung from every section, floating around, spinning. Shadows brightly identified by the white surfaces which are the parameters of our encasement in this heaven -like cell. The keys float and dangle head height like angels in an outer world. The jingles and rattling almost ghost-like, jitters of evil coming to take us from the purity of our setting. Clattering faster and faster, more and more in motion together, louder and louder, machine gun like in battle, will we be taken?

Subtly they quieten down, jingle in serenity again, bell-like, the instruments of the piano, not one of the devils jailers on a dictated mission to take us to him. We are safe within the white purity of our surroundings, the playful clacking of the brass and steel instruments of secure captivity. The tags which identify their uses, the fobs which fumble and the enlarged shadows which follow their leaders every move. Sounds which surround, which inform, which provide safety but exclude us from freedom.

A dreamscape of soulfulness suspended in our vision and the recipients of the routes of sound waves. Serenity, shadows and the safety of celebration.

Alison Little

Keys was written in response to an art installation all named ‘Keys’ created by Raymon Watson for the History of Hands exhibition held at the Victoria Gallery & Museum in Liverpool. In this, a collection of keys originally from the Crumlin Road Prison were suspended and used in conjunction with a sound installation. The exhibition ran from the 10.03.18-21.04.18.

History of Hands Exhibition

Victoria Gallery & Museum

Sound City: Performs

Claws

Alison Little, the artist and writer behind many North West based Arts and the creator of this very blog to perform a reading at this weekend’s Sound City.

Sound City is the award-winning Metropolitan Festival set to take over Liverpool’s Baltic Triangle this weekend. The unequalled Festival presents an array of new music and the Arts, re-enforces Liverpool’s cultural heritage. The very best of new acts are to include ‘Slow Readers Club’ and ‘Low Island’ in addition to a variety of acts from all over Europe. Now, over a decade old the Festival is in its eleventh year and looks to be most anticipated to date.

The Unusual Arts Sourcing Company is set to take over the former Cains Brewery site. Named one of the Best things about Sound City 2017 they are back for the second year. We are to join in with life drawing, listen to poetry and watch the operatic performance over the two-day event. Tapas and an array of drinks available from the cafés and bars present in the newly transformed arts venue.

‘All the Fun of the Fair’ is an extract from the Novel ‘Casual Nexus’ which Alison is looking to publish in the autumn of this year. The novel follows a young girls journey from childhood into early adulthood encompassing all turns, many of which are ultimately tragic. The reading is to take place at 5:30 pm on Saturday and Sunday, the art form, a giant representation of a lobster to be present throughout both days.

The best on offer for this Bank Holiday weekend.

Saturday 5th and Sunday 6th of May, Cains Brewery, Liverpool.

Free Entry to Cains Brewery Village

Sound City

The Unusual Art Sourcing Company

Cains Brewery Village

 

Suspended: Bold Place

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The Female Suspension

The female suspension takes over 5 Bold Place until the 8th of April. The lower bodies were hooked through the groin and suspended from chains earlier in the week. In the shadows of the Bombed Out Church, Bold Place lies directly beside St Luke’s Church, Liverpool City Centre.

The Female suspension is an installation which addresses a world of sexual violence. The lower bodies and limbs of numerous women who have been raped are suspended by chained, hooks penetrating their groins. Meat like, a waste product, violated then disposed of like an animal carcass meat still to be stripped from the bones.

This will be the fourth installation to take over at 5 Bold place as part of the art in windows project. Art in Windows is a small organisation that works with landlords and artists to commission and curate temporary and permanent artworks for display in empty windows in and around Liverpool.

The form is a female abdomen and legs extending down to the feet. Each represents a rape victim, The World Health Organization (WHO) estimate:

Global estimates published by WHO indicate that about 1 in 3 (35%) women worldwide have experienced either physical and/or sexual intimate partner violence or non-partner sexual violence in their lifetime.

(WHO, media centre, Violence against women, fact sheet, updated November 2016)

The charity Rape Crisis England and Wales respond to an average of 3,000 calls per month from women who have been raped. In November 2017 there were 422 recorded violent and sex offences recorded in Liverpool alone. It is estimated that only one in every ten incidents of rape are reported to the Police: the actual figure is projected to be much higher.

Polythene and shredded paper are used to create each of the sculptural works, red toned papers are used around the groin area to reflect the pain suffered from the attack. Wire wool is used to represent the pubic hair, this demonstrates resistance from the violation. The lack of upper body and stones in the feet show a woman who was unable to oppose the onslaught. The hook is driven through the groin area, this enables us to reflect upon the extreme violence used in sex attacks. We view the forms suspended in a commercial environment, infinite in number and we are given the impression that more will simply be added to the collection.

Alison Little, the artist behind the Female Suspension, she has been North -West based for the last decade and worked on commissions from the Superlambanana trail to the Penguins. Her most recent conceptual works are SV: Sex by Violence, a series of four animated sculptures which show the different stages of a sex attack. Alison helps Organise the Reclaim the Night March held in spring in Liverpool annually. The intentions behind the exhibition as a means of activism against sexual violence and to play its role in her campaign work.

The Female Suspension which will shock, inform, evoke debate and lead to social reform in direct regards to Rape crime.

Alison Little, the artist behind the Female Suspension will be talking to Ngunan Adama about the Installation to be broadcast on Radio Merseyside Sunday 11/03/18 from 8 till 10 pm.

Radio Merseyside

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Artist Talk: The Female Suspension

Legs one image copy

The Female suspension is an installation which addresses a world of sexual violence. The lower bodies and limbs of numerous women who have been raped are suspended by chained, hooks penetrating their groins. Meat like, a waste product, violated then disposed of like an animal carcass meat still to be stripped from the bones.

This will be the fourth installation to take over at 5 Bold Place as part of the art in windows project. Art in Windows is a small organisation that works with landlords and artists to commission and curate temporary and permanent artworks for display in empty windows in and around Liverpool. Windows have varied from those in empty shops in the city centre and on local high streets, to empty units in shopping centres and even in houses on residential streets. Art in Windows’ displays range from a single installation for two weeks, to a series of different installations across many months.

The form is a female abdomen and legs extending down to the feet. Each represents a rape victim, The World Health Organization (WHO) estimate:

Global estimates published by WHO indicate that about 1 in 3 (35%) women worldwide have experienced either physical and/or sexual intimate partner violence or non-partner sexual violence in their lifetime.

(WHO, media centre, Violence against women, fact sheet, updated November 2016)

The charity Rape Crisis England and Wales respond to an average of 3,000 calls per month from women who have been raped. In April 2017 there were 422 recorded violent and sex offences recorded in Liverpool alone. It is estimated that only one in every ten incidents of rape are reported to the Police: the actual figure is projected to be much higher.

Polythene and shredded paper are used to create each of the sculptural works, red toned papers are used around the groin area to reflect the pain suffered from the attack. Wire wool is used to represent the pubic hair, this demonstrates resistance from the violation. The lack of upper body and stones in the feet show a woman who was unable to oppose the onslaught. The hook is driven through the groin area, this enables us to reflect upon the extreme violence used in sex attacks. We view to forms suspended in a warehouse environment, infinite in number and we are given the impression that more will simply be added to the collection.

Alison Little, the artist behind the Female Suspension, she has been North -West based for the last decade and worked on commissions from the Superlambanana trail to the Penguins. Her most recent conceptual works are SV: Sex by Violence, a series of four animated sculptures which show the different stages of a sex attack. They were exhibited in a solo show at zauhause gallery, Gostins Hanover Street (Liverpool City Centre) in July of 2017. In the months prior to this, she curated a group show ‘Shatter the Silence, Violence against women’ held at the Quaker Meeting House, School Lane (Liverpool City Centre). ‘Life from the Waist Down’ is the fourth of the series, representing the recovery process it was exhibited at Unit 51, Baltic Triangle (Liverpool) for 2016 Mental Health week. On the previous year she showed Brainscape as similar human head form and in 2014 Bipolar B was created for the celebrations at the Williamson Gallery in Birkenhead. In 2016 she worked on a commission for the race equality centre in Derby where a polyethene figure and a broken wheelchair were created to draw attention to race hate crime. Her first work relating the sexual violence was in 2014 for the Speaking Out exhibition at Embrace Arts, University of Leicester. The work was exhibited and Alison attended the Speaking Out conference where she addressed the delegates on the thought processes behind her work. Prior to that, she ran a successful funding bid and project managed the prospering ‘Rags Boutique’ as part of the ‘Shops up Front’ scheme from Liverpool City Council. This was an exhibition space and workshop venue was the use of found object was utilised to maximum effect. Alison helps Organise the Reclaim the Night March held in spring in Liverpool annually. The intentions behind the exhibition as a means of activism against sexual violence and to play its role in her campaign work.

The Female Suspension which will shock, inform, evoke debate and lead to social reform in direct regards to Rape crime.

Exhibition runs from the 5th of March, 5 Bold Place, Liverpool, L1 9DN

Free view from Street location.

Artist Talk to be held on International Women’s Day, Thursday the 8th of March from 6.30-7pm. Talk starting at Bold Place then either being held inside or to be moved to another location possible to be provided by John Moores Uni. Details to be confirmed, to book:

Free Ticket

Art in Windows

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