Kate Winslet: Feminist

10 reasons why we relish this leading feminist icon


Defeating the fat shaming bullies at school, being branded ‘Blubber’. Achieving great success at Stage School she was voted Head Girl. She continues to refuse to conform to Hollywood ideals of beauty and stands up to media intrusions over fluctuations of weight.


The stunning performance of Rose in the 1997 top grossing Titanic. After fighting off the favoured Gwyneth Paltrow and Claire Danes, her curves and complex women portrayal won the film countless awards. She then beat off the body shaming tabloids, then repelled further when tainted as Ballsy and Outspoken.

The Feminine Mystique


During the research period for Resolutionary Road she read The Feminine Mystique leading to an outstanding portrayal as a dissatisfied, fifties American Housewife. 


Prior to giving birth to two of her three children she was apprehensive over performing naked for sex scenes. Agreeing to take the role in Little Children to present a positive role model for women with imperfect bodies.

Role model for women with imperfect bodies


With a little help from her friends, Emma Thompson and Rachel Weisz, they formed the British Anti-cosmetic Surgery League.


A successful libel case was run by her legal team against Grazia Magazine over an article in which she was stated to have visited a dietician. Awarded £10,000 damages which she donated to an eating disorder charity.


Standing up for LGBT rights over her representation of Mary Anne in a same sex relationship for Ammonite. Extremely convincing as a legendary paleontologist who had her work continually re-appropriated by her male colleagues.

Work continually re-appropriated by her male colleagues


During the death enduring, pandemic ridden 2020 she found time to make a voice recording for a bedtime story. This was a highly successful children audio book to raise money for the Save the Children Emergency coronavirus appeal. 

Oversized clothes combined with overgrown hair


Convincing as a worn out detective in Mare of Easttown. In this she was happy to dress down, wearing oversized clothes combined with overgrown hair, at a point when we were all trying to tame our lock-down locks.


After her Emmy Award last Sunday, she acknowledged the other nominees. Followed by recognition over unity of women and how we were covering each others backs. 

We Support you Kate!

We Salute you Kate!

We are so Proud of you Kate!

Street Art: North Liverpool

The contemporary issues at the front of the nation’s young minds: their fears, their frustrations and the desire to demand the re-modelling of society. The anxieties of adolescence emulated through the spray can culture of the street.

A smashed paving slab parading a ‘Thanks NHS’ rainbow suggesting an end of public spirited ‘Clap for Carers’?

The road arteries, urban connection venues and green spaces of North Liverpool make up the canvasses for these expressions of creativity. Works of artistic merit decorate the forum, sheep to faces of thunder brighten the arena. LGBTQ issues push their way into promonent vision. Black Lives Matter and the global protests of summer 2020 make their presence known. Mangra style art of the East and Hindu symbols shift around terms such as racism. In contrast, the iconic swastika representing the anti-semitic Nazi’ of the twentieth century never far from view. Anti-capitalism and its factions reflect the socialist agenda of regional left wing politics. A smashed paving slab parading a ‘Thanks NHS’ rainbow suggesting an end of public spirited ‘Clap for Carers’? Ever present politics of Boris, the former prime minister Tony Blair and the realities of Brexit. Football rivalry of old and not forgetting, rather a lot of phallic forms!

‘EAT THE RICH’ is stencilled onto many pedestals, canisters and other outlays

Anti-Capitalist vibes took on a tenacious presence on the protest spheres of North Liverpool. A stanchly red, Labour dominated region, in fact there are no Tory MP’s elected in Liverpool whatsoever. The Converservatiove Parties only real successes in the city were following Winston Churchill’ campaign launch on Merseyside in the early 1950’s. A major factor in this relates to the lower incomes within the area in which votes collate. Liverpool city council has suffered cuts of almost two thirds since Cameron’s austerity measures were introduced in 2010. The decline of shipping, of great importance to the Port city, is often spearheaded onto the 1980’s Conservative Leader: Margaret Thatcher. The sounds of the Mersey Beat Bands, the Beatles in particular, their working class agendas still dominated the airwaves of this Northern municipal.

‘EAT THE RICH’ is stencilled onto many pedestals, canisters and other outlays. Further illustrations look to combine hamburger motifs with freehand spray depictions. The term ‘Eat the Rich’ can be attributed to the 18th Century philosopher: Jean Jacques Rousseau. First used in response to the French Revolution, the poor were starving while the Monarchy were receiving never ending supplies of food. They revolted, the royals were guillotined and the people took control. Of late, various politicians have used the statement, Elizabeth Warren or the US and the Land Party of South Africa ran their election campaign with the slogan. Ordinarily used within radical left wing circles, however surprisingly popular on Tik-Tok, a social media platform popular with young adults. 

Hate the masses

These can be parallelled with ‘Stamp on the Royals’ which can be seen branded in a socialist red. ‘Hate the masses’ comes into view, oversized and in contrast to the commonplace left wing etchings. Potentially a reference to genocide, however more probably a response to the social isolation enforced by restrictions of the pandemic. Covid has increased the gap between rich and poor nationally, Liverpool having been in proportionately affected by higher death rates and the economic impact of additional periods of lockdown, the trade from the spectators at the prominent football groups in particular.

The penis is sprayed, sprawled and depicted in evermany forms across the Everton park area

Embracing the creative arena we are offered a large quantity of phallic forms. The penis is sprayed, sprawled and depicted in evermany forms across the Everton park area, which transcend Netherton Rd, in particular. Women often see this as a threatening image, the penis as a weapon. Freud’ theory relates to man’s greatest fear; of losing their prime tool of masculinity.

In Roman times the symbol of the penis was commonplace, a young boys amulet of a phallus meaning to grant protection. Depictions of male genitalia were often carved in the street pointing towards brothels, the most famed present in Pompeii. Due to low income, poor opportunities for employment and general deprivation, levels of prostitution are high in North Liverpool. As a port city there is a long history of fornification for financial gain, particularly around the dock areas. Other graffiti, stencils out ‘Sex work is Work’ across receptacles, brick structures and columns. Sex work is in fact legal, however soliciting for custom is unlawful. The Red Umbrella project was set up in 2018 to help change the lives of sex workers within Merseyside. It is estimated that around 80% of sex workers don’t want to be working in the industry, they are captive by drug and alcohol addiction, austerity and backgrounds of sexual abuse.

These ideologies aside, there is often a humour element to the ‘Dick’ depiction. Graphic or photographic images of the phallus are often received with an air of disgust, however doodles are often embraced with laughter. In fact we can look toward the image of the head with the penis added to the upper section. Does this not refer to the term ‘Dick-head’, a colloquialism which has been popular across the country since the 1960’s?

A city of great footballing rivalry, everybody is designated as a red or blue, referring to support for the Premiership greats of Liverpool or Everton football club. Derby day banter which takes over the work canteens and the school yards which makes this city so vibrant. Amongst all of this, somebody found time to scroll ‘Save Mary-Hill FC’ on one of the columns of Everton Park, support for a Glasgow conference based team. Out of interest, standard admission to a match only costs £6!

Street art reflecting the activism of the young, the desire for change within the region. Anti- racism and BLM meets fascism, ‘Non-binary’ and ‘Gender-fluid’ are branded across the domain as common-place terminology. The identification of issues relating to austerity and prostitution. Defiance of the Police and to some degree presenting criminal activity as the norm. The skate-park melting pot of political views, the politics of the pandemic, Brexit and the decade of austerity enforced on the region. The fun of the banter around the premiership giants which over shadow the terrace dwellings of Everton and Anfield. Lets not forget an infantile giggle at the range of ‘Dickhead’ depictions!


Last of the ashes being washed out to sea

Alison’ partner Dave was lost to the first wave of covid, due to restrictions there where delays to scattering of the ashes. This poem was read before the ashes where scattered at Hilbre Island, Wirral.


Last in the flesh

Heart compress’

Life no longer bless’

My hand, impress

Davy the bus has joined you afar

A few jar’

The afterlife bar

Angels strum classical guitar

Charlie, our aged dog

Mass ailments to catalogue

Playing watchdog

Resting well worn coggs

The Puppy present

A year adjustments

Affection blandishment

His heart, your compartment

We stand shoreward

Moving forward

Love not deferred

You glorious Bastard!

Match day is back

Your team on track

I will show tact

Over yesterdays match

Pubs open as standard

Works open, but staggered

The Grove, change of guard

Your drinking backyard

Across Stanley Park

Everton’s mark

Raffa’s embark’

Goodison Park

The World cup final

66 again for a while

Limited fans, the Wembley mile

Beaten by Italy, but showed style

Few changes; the house

Lights fixed, odd fuse

Mass colour ooze

Remains a madhouse

My star

Loved from afar

Emotion: no bar

From doing my hair

To going up stair’

Your dancing with flair

Joking over a silly mare

Clothes you would wear

Love you would bare

For now, my glorious Bastard!

Alison Little