Biennial: simply ‘Bonerous’

The Liverpool Biennial located the first of its installations of the delayed 2000 earlier in the week. The exhibition endeavours, as always, the take over the Port City for the summer. 

Those of you craving culture, isolated through covid restrictions, this is art which lends itself to social distancing. 

‘Osteoclast’ from Madrid based artist: Teresa Solar, drops five bone formed kayaks into exchange Flags. The luminous orange boats take over the financial district square as if fallen from Mars. The artist draws parallels between human bones and seafaring vessels. 

Essentially, but not intentionally, ‘Osteoclast’ brings some much needed vitality back to the deserted streets of the business quarter.

When ‘the Rag’ is ‘the Rag’

Let’s talk about Period Poverty

Period Poverty identifies with women and girls not able to afford menstruation products. Equally, the lack of understanding around menstruation and aims to reduce taboos around the subject.

The latest research from Plan International UK in regards to Period Poverty dates to December 2017. (

To summarize: 10% of girls are unable to afford sanitary wear and 15% struggle with cost. 14% have needed to borrow menstruation products due to financial matters and almost 20% have chosen a less suitable product due to cost. Further details are given around taboo’s and stigmas around menstruation, the most alarming being 14% were not aware of what was happening when they started their period and nearly a quarter didn’t know what sanitary product to use. 

Period Poverty looks to have surged during the pandemic. ‘A bloody good period,’ the leading charity for supplying sanitary produce to food banks and community groups have seen a 6 fold rise in demand since the start of the pandemic. 

Period Poverty results in girls absent from school and women not present at work. Poorer standards of education may result in dropping out, girls becoming more vulnerable to violence, abuse and sexual exploitation. Adults most affected are often: refugees, homeless women, students and those on a low income. Principly, stigma and financial issues result in women not being able to have their period with dignity. 

What Can I do to help end Period Poverty?

Firsty, buy brands which give to period poverty charities, Always being a market leader. Make cash donations to charities such as action aid with tackle this issue globally and the homeless period which help women who are rough sleeping. The Period Project, Merseyside does incredible work, forefronted by Natalie Denny, she also provided opportunities for direct donation of unused menstrual items and there are opportunities to get involved further. Become involved in activism, Bloody good period promote opportunities through their website and signing petitions is not to be forgotten. Raise awareness through in person talks and via social media which has developed into a more powerful tool over the course of the pandemic. Finally, educate yourself, are you aware of what a menstrual cup looks like?

A Jaunt

A Jaunt is a photo journey taken by Alison during the second peak of the pandemic through the Everton area of Liverpool. The freeflow text responds to the images taken and the reality of living in lockdown.

Umbrella, upturned, scattered

Sheltering potential rendered void

Chalk markings, gym class

Taken outside

Covid safe arena

Pallets, scattered cans

Makeshift baroom of lockdown

Outlet of the Victorian era 

Stands strong

Water prevails no more

Face, accidentally appears

Eyes arched

Serious, the pandemic surrounds

Memorial flowers

Benched, overlooking the city

Secured, black mask of protection

Possibly a play wig?

Sheepskin bouffant

Tool of homeschooling?

Soil upturned

Bikes of youth

Schools shutdown

Turf wars of old

Couplet of coned stand together

Man prominent, women reduced

A bubble in unison

Workman digs upward

Altered direction


A jaunt through Everton

Journey stained by Covid

Fever pitched




Alison Little

Kaleidoscope Eyes

Kaleidoscope Eyes is the second painting in the series from Liverpool based artist: Alison Little.

Lucy in the Sky with Diamonds, the Beatles classic, is being illustrated in stages afresh.

In this works she depicts the pattern of the kaleidoscope through the eyes. Using the concept of sixties style glasses, made icon by Lennon, combined with a central parting. The feathered hair leads into the fire filled marmalade skies. The river is edge by tangerine trees, bth appear to be dancing intime to melody.

Acrylic on mixed media board



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