Rubbish Cards

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Rubbish Cards are the latest greeting card range from Alison Little. The card range literally utilises ‘Rubbish’ for the purposes of celebration. Throw away wooden forks are used in full splendour for the collection. Birthdays are marked using butterfly’s, flowers and flags, the message of eating cake added. A traditional Graduation gown marks leaving home for Uni, the fork for eating pot noodle. It’s counterpart, graduation features a gold leaf variety for use when eating caviar. Rat packs are the suggested food choice for the camouflage leaving for the Army option. The delightfully painted Cat Fork is suggested for feeding the feline traditional tuna. Finishing off with a double fork card marking an engagement.

A delight and a pleasure.

£2.50 each, available from Arts Hub from early April.

Arts Hub

 

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I am the Superlambanana

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I am the Superlambanana

I sit on the mantle-piece, brought in a drunken surge from the local bottle shop. Originally cast in China, a miniature of Liverpool finest public artworks. I stand on my plinth and I look around this room, I see the early morning starts, breakfasts followed by the waking of the dog and then the cleaning of the front room. Observing my raised peak tail I see it lacks the rub and polish it received at the factory in China, again when unpacked at the wholesalers, then an extra special rub over when placed by the spirits at the Off Licence. At the factory I was one in a million, on the cargo ship one in a thousand then finally a simple sidekick to the bells whiskey which too many drunks chose to ignore when they stagger into the shop. Here I am an individual, I am the Superlambanana not one of many. I should be kept shinier and more glam to twinkle in the sunlight, but I stand proud as an almighty One-off. Watching everything going on I am central to the house, the head of the main room. I am the focal point, I am the master, I am the controller. Watching them argue, listening to them make-up, seeing their tears and hearing their laughter. I understand their desires and their disdain and I watch when they collide. The pet dog gets a free rein of downstairs, but he is nothing on me, I am glossy and smooth, shapely, standing tall and proud. He is rough coated, shreds his fur and bounces in excitement. He scratches and brings home flea’s, I gleam clean, I am the supreme.

I am the Superlambana.

‘I am the Superlambanana’ is a work of Flash Fiction written by Alison Little in February of 2018, she has lived in Liverpool for fifteen years and witnessed the Superlambanana become a symbol of the city.

Suspended: Bold Place

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The Female Suspension

The female suspension takes over 5 Bold Place until the 8th of April. The lower bodies were hooked through the groin and suspended from chains earlier in the week. In the shadows of the Bombed Out Church, Bold Place lies directly beside St Luke’s Church, Liverpool City Centre.

The Female suspension is an installation which addresses a world of sexual violence. The lower bodies and limbs of numerous women who have been raped are suspended by chained, hooks penetrating their groins. Meat like, a waste product, violated then disposed of like an animal carcass meat still to be stripped from the bones.

This will be the fourth installation to take over at 5 Bold place as part of the art in windows project. Art in Windows is a small organisation that works with landlords and artists to commission and curate temporary and permanent artworks for display in empty windows in and around Liverpool.

The form is a female abdomen and legs extending down to the feet. Each represents a rape victim, The World Health Organization (WHO) estimate:

Global estimates published by WHO indicate that about 1 in 3 (35%) women worldwide have experienced either physical and/or sexual intimate partner violence or non-partner sexual violence in their lifetime.

(WHO, media centre, Violence against women, fact sheet, updated November 2016)

The charity Rape Crisis England and Wales respond to an average of 3,000 calls per month from women who have been raped. In November 2017 there were 422 recorded violent and sex offences recorded in Liverpool alone. It is estimated that only one in every ten incidents of rape are reported to the Police: the actual figure is projected to be much higher.

Polythene and shredded paper are used to create each of the sculptural works, red toned papers are used around the groin area to reflect the pain suffered from the attack. Wire wool is used to represent the pubic hair, this demonstrates resistance from the violation. The lack of upper body and stones in the feet show a woman who was unable to oppose the onslaught. The hook is driven through the groin area, this enables us to reflect upon the extreme violence used in sex attacks. We view the forms suspended in a commercial environment, infinite in number and we are given the impression that more will simply be added to the collection.

Alison Little, the artist behind the Female Suspension, she has been North -West based for the last decade and worked on commissions from the Superlambanana trail to the Penguins. Her most recent conceptual works are SV: Sex by Violence, a series of four animated sculptures which show the different stages of a sex attack. Alison helps Organise the Reclaim the Night March held in spring in Liverpool annually. The intentions behind the exhibition as a means of activism against sexual violence and to play its role in her campaign work.

The Female Suspension which will shock, inform, evoke debate and lead to social reform in direct regards to Rape crime.

Alison Little, the artist behind the Female Suspension will be talking to Ngunan Adama about the Installation to be broadcast on Radio Merseyside Sunday 11/03/18 from 8 till 10 pm.

Radio Merseyside

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a Lesson in Pseudosciene

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A Lesson in Pseudoscience was the second design submitted by Alison Little for Bea in the City, the mass public art trail for Manchester, summer 2018.

A lesson in Pseudoscience looks to present an image of a physics-based lecture where the science behind the flight of the bumblebee is explored. We look at concepts presented by famous entomologist August Magnan who determined that through the laws of fight the Bumble Bee simply couldn’t fly. We introduce concepts of formula to work on the potential wingspan, angles and wing texture. Examples of helicopter propellers and small tornadoes are illustrated in reference to the physics-defying flight part of this great insect. The base contains the final statement from the Bee itself ‘I can fly’ showing he is clearly about to perform the action of flight.